It has been a few weeks since I last talked about shooting video on the Canon 5D Mark II. I have been putting off this post due to the fact I have been working on editing the footage that I shot of Syl Arena for the Speedliters Guide DVD that he and I are working on.
I knew when I was starting on this project that I would have to change the way I worked with video, compared to working with DVCAM and HDV formats that I was used to working on. First was the shift from tape to a solid-state media, which means I no longer have a tape backup of my footage that I have shot. Since I am not capturing off of tape, I need all that footage on the CF cards put on the computer, so I need more hard drive space. But what I found was that the tape issue would not be close to the biggest problem I would run into.
The second and biggest issue that I have run into is the syncing of the audio and separate cameras that we used in shooting this project. At most times, I had two, and sometimes three 5D’s recording at the same time. No matter what type of video format your are recording to, the more cameras you are using, the more problems you may have when you are working post and editing your footage. This is where the 5D shows it’s amateur side of recording video. Every other type of video camera lays down time code, so you can keep track of when events happen and also help with capturing footage. The other plus is you can set the time code to keep running, even when you are not recording. This allows for multiple cameras to be set to the same time code, so you can switch between multiple camera angles with little problems. Since the 5D has no time code, you can sync up cameras as easy as normal video cameras. In fact it very hard to sync up multiple cameras.
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